
Inside the Eden*
Arising from her slumber,
she is pleased by what she sees and feels,
for she has awakened inside the Eden.

Crossing
the Threshold
As dreams and imaginings begin to
merge,
she finds herself crossing the threshold
between what is and what might be,
where illusion is everywhere
and reality is merely a state of mind.

Soul
Prayer
Through prayer she comes to realize
that one's soul is the central player
in this drama we call life, for only the
soul survives beyond our final breath.
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“Art
expresses the soul of humanity in our
common journey across the
ages.”
The
art of Fidel Garcia blends figurative realism and abstract
expressionism. His paintings call upon the viewer to experience
the
concurrency of our corporeal and spiritual selves, the coincidence of
reality and fantasy, and the simultaneous existence of the physical and
the metaphysical. Rather than simply asking for acknowledgment
of
these diametric forces, Garcia’s paintings assist us in finding the
harmony and balance between them. Each image that emerges from
his
evolving series of canvases explores an unexpected and uncharted inner
and outer world of human imagination.
Garcia
visually
explores illusion and reality, the dichotomy of life and the beyond, in
his most recent black and white collections. In this series,
Garcia
explores the variety of drama between life and the afterlife, each
image taking an unexpected twist into reality and then into a state of
surrealism.
From the
foundation of his Mexican family and
mentors of the dramatic history of Mexican art, Garcia has developed a
unique internationally dimensional style that is imaginatively imbued
with the visual power of the Renaissance artists, artist of the Spanish
Baroque Diego Velasquez, American artist John Singer Sargeant, French
Ecole des Beaux-Arts artist William Bourguereau, and modern artists
Salvador Dali and Gustav Klimt.
As with
so many of the
great Masters, Garcia’s unique vision is an expression of his own
spiritual journey. Garcia’s father also had a unique artistic
talent,
which he sacrificed in order to provide for his wife and seven
children. When Garcia’s artistic ability manifested itself at the
age
of seven, his father supported and encouraged its development resulting
in early recognition of Garcia’s talent during his childhood.
When
he reached manhood, Garcia met and married Maria Violetta, who also
supported his calling as an artist. With the pressures of
providing
for his young family, Garcia faced the same decision his father had
faced decades earlier – whether to continue to pursue his artistic
career with all of its instability and uncertainty or to abandon that
calling in search of a financially stable profession.
Ultimately
it was the support of his father, his wife and a brush with death in a
bus accident which claimed the life of his closest friend – a fellow
painter who was passionate about Garcia continuing his artistic career
– that convinced him that he must continue to answer his true calling.
“For me,
success as an artist means that I am able to
live my life with creativity and joy.”
Over
the last two decades, Garcia’s unique artistic vision has gained
recognition throughout his native Mexico and in Spain, resulting in
numerous exhibitions, awards and museum placements including the
National Museum of Spain, the Puebla Historical Museum and the Amparo
Museum in Mexico.
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