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Primavera Cast epoxy resin sculpture Numbered 42/300 21.5" tall $4,200 ($7,500 full market value) |
Romantic Novel Cast epoxy resin bas-relief Numbered 61/300 31" tall, 42" wide, 4" deep $6,500 ($8,500 full market
value)
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Frank Gallo was born in
Toledo, Ohio, in 1933. He was the
youngest of four children born to a Sicilian shoe repairman and
inventor. Gallo attended the University
of Toledo. In 1956, he received
a
bachelor's of fine art degree in education, a degree reflecting both
his desire
to become an artist and his family's hopes that he acquire a trade. He began graduate work at the Cranbrook
Academy of Art in the summer of 1956 but gave it up for a year to teach
art to
students at the elementary and secondary school level.
He started
graduate work again in 1958
at the University of Iowa, with an emphasis on both sculpture and
printmaking. Gallo returned to teaching in
1967 at the University of Iowa and resigned a year later to become head
of the
sculpture department at the University of Illinois, where he was asked
to
develop a new graduate program in sculpture. In
1970, he also operated a serigraphy studio in the Center
for Advanced Studies at Illinois. Throughout his years as an
instructor, Gallo has continued to create his own sculptures, employing
several
materials and using a consistent style and subject matter.
For a number of years, he exhibited
large epoxy figures before going to France in 1972 to study glass at
Daum
Crystallerier. Since l977, Gallo has been
working primarily in cast paper, a technique he how teaches in the
handmade
paper and paper casting program he helped initiate at Illinois. Gallo's work has been exhibited in more then 50 galleries and museums worldwide, including The Art Institute of Chicago; the Whitney Museum of American Art in New York; the Smithsonian Institute in Washington, D.C.; the Museum of Fine Art in Montreal, Canada; the Galleria d'Arte Moderna in Milan, Italy; and the Helsinki Museum in Finland. Because Gallo has always believed that the ordinary has in it a magic we don't usually see, he attempts in his work to bring out some of this magic, the "magnificence" of the ordinary. |